For choir, love was in the air
Tuesday, February 19, 2013 10:02:11 EST PM
Last Sunday afternoon, Brantford could choose between Jack Frost
nipping out around Harmony Square or Cupid winging around St. Andrew's United
Church.
With just about every seat taken, many chose Cupid, the belated Happy
Valentine's Day concert by the Grand River Chorus directed by Richard
Cunningham.
Subtitled, "Songs of Love and Longing," this program ranged
widely through the vast repertoire of choral music, making us realize that,
there are many ways to talk and sing about love. In fact, this subject has been
written about by poets for thousands of years, and it is usually their art that
inspires the music to be composed.
With respect to the primacy of the words it is worth consideration to
print at least some of the heavier, more poetic and lesser-known texts in the
program. Part of the purpose of music is to sell the words, and if the concert
has done that job well, it's good to have the option of a souvenir of some of
the more effective pieces to take away and ponder after the music has ended.
Cunningham mentioned this issue, using the excuse that almost all the
texts were in English and thus could be understood. This misses the point, and
also assumes the choir's diction is better than it was. Most texts were fairly
clear, but there were frequently a few words one had to guess at. The first
piece set a poor precedent with the s, z and t - all missing from "The
Size of your Heart."
Still, the choir sounded lovely and warm, all well blended and
balanced, in that piece and most others of the first half. The exceptions were
Cunningham's composition, “Behold You are Beautiful my Love,” and Jacques
Brel's, “If We Only Have Love.” The first piece is poorly balanced and keeps
the sopranos in their high register too much, and in the Brel Cunningham did
not pace things well and asked the choir for more volume too soon and for
longer than they could sustain. The folk songs that began the second half
sounded unready and uncomfortable, but the choir was back to form with the big
show tunes that ended the concert on a happy note.
For some who wondered aloud about the choice of songs and the theme of
love, more guidance from Cunningham or retrospection of the missing texts was
necessary. There were lots of songs addressed to females from Mary to Dolly,
but Gershwin's “Summertime” is more subtle, a ballad lovingly reassuring a
child about the future. And the strange “Un Canadien Errant” is about love of
country, our country.
This theme of songs about love was beautifully sustained by guest
soloist Avery Kadish. This 11-year-old girl has a marvellous voice to listen
to, but she also uses it wisely and effectively. One of her choices was Sing,
written by Gary Barlow, with the help of Andrew Lloyd Webber, as a proclamation
of love for the Queen on her Diamond Jubilee. This piece was just one example
of Kadish's understanding of the whole arch of the song, and controlling every
note accordingly. The comfort and sincerity of her presentation guarantees all
her selections a warm reception and indicate a very glowing future for this
talented young girl.
One more talent to mention: city councillor David Neumann led the choir
in that song of longing for love, “Somewhere over the Rainbow.” Many comments
about longing and rainbows in connection to city politics come to mind, but
Neumann showed he's also a musician. After a stiff start he dropped any attempt
to follow the so-called rules and simply gestured his love of the music from
the podium with strong results.
St. Andrew's is a superb setting in sound and sight for musical events,
and could well become an important location in the future. Certainly a large
number of Brantfordians were happy they chose to be there last Sunday afternoon
and gave Kadish, Cunningham and the GRC prolonged final applause.
NOTE: Murray Charters is a musician,
teacher and writer whose "Murray's Music" column can be found in
Saturday's Expositor.